Singing Jehoshaphat (II Chronicles 20:21)

Whose army went into battle singing? Judah’s, under King Jehoshaphat (II Chronicles 20:21)

King Jehoshaphat becomes the fourth king of Judah when he succeeds his father Asa (I Kings 15:23-24; II Chronicles 17:1). He reigns for twenty-five years (I Kings 22:42; II Chronicles 20:31) and is remembered as one of the few kings faithful to God, the Old Testament benchmark for royals (I Kings 22:43; II Chronicles 17:3-6).

Jehoshaphat is far more prominent in Chronicles, where he is featured in four chapters (II Chronicles 17:1-20:37), than Kings, which devotes only ten verses to his reign (I Kings 22:41-50).

Brian E. Kelly observes:

Jehoshaphat plays a much more extensive and important role in Chronicles than in Kings, where his reign is described only briefly (I Kings 22:41-50) and he is a secondary figure compared to Ahab (cf. I Kings 22:1-38; II Kings 3:4-27). (Kelly, Retribution and Eschatology in Chronicles, 98)

The last notable event of Jehosphat’s reign occurs when an eastern coalition forms primed to invade Judah. This assailing confederation is comprised of Moabites, Ammonites and Meunites (II Chronicles 20:1). Naturally alarmed in the face of daunting odds (II Chronicles 20:3), Jehoshaphat responds radically: He prays, declares a national fast and assembles his country (II Chronicles 20:3-13). Prayer is Jehoshaphat’s first, not last, resort.

After being encouraged by a prophecy assuring that Judah would attain victory without having to fight (II Chronicles 20:14-17), Jehoshaphat consults his constituents and the army marches to the would-be battlefield praising God (II Chronicles 20:18-21). The king implores the people, “Put your trust in the Lord your God and you will be established. Put your trust in His prophets and succeed” (II Chronicles 20:20 NASB).

Paul K. Hooker (b. 1953) interprets:

King and people assemble at Tekoa, east of Jerusalem in the Judahite highlands. As they assemble, Jehoshaphat gives them what in other situations might have been battle instructions. Here, however, we have...religious admonition: “Believe in the LORD your God and you will be established [II Chronicles 20:20].” One final time, the Chronicler returns to the theme of trust. The language here is reminiscent of Isaiah 7:9: “If you do not stand firm in faith, you shall not stand at all” (the verb translated “stand firm” in Isaiah is the same as that translated “be established” here). The link between faith and victory is explicit: Belief, not strength of arms, is the key to the deliverance of God. (Hooker, First and Second Chronicles (Westminster Bible Companion), 213)

Leslie Allen (b. 1935) concurs:

Jehoshaphat’s battle speech on the morrow places a premium on faith. It echoes the message of Isaiah in a similar context of military threat , a message rendered more effectively by its Hebrew wordplay: “Have firm faith, or you will not stand firm” (Isaiah 7:9 NEB). In expression of such faith orders are given for anticipatory praise to be sung afresh, as on the day before in the temple precincts. The praise looks forward to a manifestation of God’s “steadfast love” (RSV), promised “forever” (II Chronicles 20:21) and so for today. The praise here replaces the shout associated with Holy War (see Judges 7:20; II Chronicles 13:15). It accentuates the fact that the people’s part was not to fight but to be spectators of the divine defeat of the foe, in accord with the prophet’s promise (II Chronicles 20:15, 17). (Allen, 1, 2 Chronicles (Mastering the Old Testament), 308)

Jehoshaphat’s faith has blossomed. J.G. McConville (b. 1951) charts:

The Jehoshaphat of II Chronicles 20:20 is one who has come from his initial fear (II Chronicles 20:3) to a new confidence that God is for him. His exhortation to Judah, “Believe in the Lord your God and you will be established (II Chronicles 20:20), is similar to the prophet Isaiah’s appeal to Ahaz (Isaiah 7:9). The thought may be paraphrased. Trust in the Lord your God, and you will find him trustworthy. There is in the exhortation a call to commitment. The trustworthiness of the Lord cannot be known until one begins to make decisions on the basis of his promises, staking wealth and welfare on the outcome—just as it is impossible to know certainly that a chair will bear one’s weight without actually sitting on it. (McConville, I & II Chronicles (The Daily Study Bible Series), 195)

As David had done in preparing the ark of the covenant (I Chronicles 13:1), the monarch collaborates rather than dictates. Sara Japhet (b. 1934) comments:

The Chronicler’s familiar ‘democratizing’ tendency...with its constant reference to the active participation of the people...is epitomized, with the king actually taking counsel with the people in a matter of military tactics, or cultic activity, ordinarily defined as a kingly prerogative. After having been made his full partners in his initiative and responsibility, his subjects will deservedly share the reward of victory. (Japhet, I and II Chronicles: A Commentary (Old Testament Library), 797)

The people collectively resolve to praise God while entering battle.

When he [Jehoshaphat] had consulted with the people, he appointed those who sang to the Lord and those who praised Him in holy attire, as they went out before the army and said, “Give thanks to the Lord, for His lovingkindness is everlasting.” (II Chronicles 20:21 NASB)

Jehoshaphat appoints a choir to lead the nation onto the battlefield. Frederick J. Mabie (b. 1965) surmises:

The men appointed by Jehoshaphat to lead singing to God and praise for the “splendor of his holiness” (II Chronicles 20:21) are presumably Levites (on the musical service of Levites, cf. I Chronicles 6:31-48, 23:2-32, 25:1-7). Going to battle in song is found in several key battles of faith in the Old Testament and seems to underscore an especially intentional focus on God and his strength (cf. Joshua 6:1-21; II Chronicles 13:3-20). (Tremper Longman III [b. 1952] and David E. Garland [b.1947], 1 Chronicles–Job (The Expositor’s Bible Commentary), 245)

Singing en route to battle is not entirely unique in the annals of the Old Testament (Joshua 6:4-20; Judges 7:18-20; II Chronicles 13:12; Psalm 47:5) and the story also has extra-biblical parallels. Kenneth C. Way (b. 1975) compares:

This account shares interesting similarities to the Old Aramaic memorial stela of Zakkur (The Context of Scripture 2.35:155), king of Hamath, who also faced a coalition of enemy nations, cried out to his god, and received a similar divine response by means of cultic personnel...The date of the events in II Chronicles 20 is difficult to determine, but an early setting in Jehoshaphat’s reign seems likely. References to the “terror of God” being upon Judah’s enemies and to Judah enjoying a period of peace both occur at the end of this episode and in a passage describing the early events of Jehoshaphat’s reign (II Chronicles 17:10, 20:29-30) (see Gary N. Knoppers [b. 1956] 1991, 518). Furthermore, the mention of the “new court” of the temple (II Chronicles 20:5) may hint that the repairs made by his father, Asa, were relatively recent II Chronicles 15:8]. (Bill T. Arnold [b. 1955] and H.G.M. Williamson [b. 1947], Dictionary of the Old Testament: Historical Books, 532-33)

In the midst of crisis, the nation sings the opening line to the 136th Psalm (II Chronicles 20:21; Psalm 136:1), a recurring refrain in Chronicles (I Chronicles 16:34; II Chronicles 5:13, 7:3, 20:21). Martin J. Selman (1947-2004) chronicles:

Both the form and content of this song of praise are based on the use of psalms in temple worship. The appointed ‘musicians’...were Levites (cf. I Chronicles 6:31-32, 25:1-31), their song was taken from Chronicles’ favorite psalm (Psalm 136:1; cf. I Chronicles 16:34; II Chronicles 5:13, 7:3) and the phrase the splendour of his holiness...is found elsewhere only in the Psalms (Psalm 29:2, 96:9; I Chronicles 16:29). The outstanding feature, however, is that as they began to sing and praise (II Chronicles 20:22), the Lord started the battle. There can be no clearer indication that this was neither an ordinary battle nor a traditional holy war, but Yahweh’s war in which he acted on his own. In that sense, it anticipates Jesus’ victory on the cross, though that was accompanied by silence rather than singing. (Selman, 2 Chronicles (Tyndale Old Testament Commentaries), 428)

The battle becomes an opportunity for worship. Winfried Corduan (b. 1949) comments:

The same spirit of praise continued as Jehoshaphat and his army set out for the Judean desert the next morning. As the troops left Jerusalem, the king turned the military mission into a “singspiration.” He reassured everyone of God’s promise and appointed song leaders to lead the soldiers in praise choruses. Soon everyone joined in the familiar tune, Give thanks to the LORD, for his love endures forever. This anthem was associated with the occasions when David and then Solomon moved the ark of the covenant (I Chronicles 16:41; II Chronicles 5:13). God was on the march again! (Corduan, I & II Chronicles (Holman Old Testament Commentary), 277)

Steven S. Tuell (b. 1956) determines:

The advance of Jehoshaphat’s host is more a liturgical procession than a military maneuver. (Tuell, First and Second Chronicles (Interpretation: a Bible Commentary for Teaching and Preaching), 183)

Andrew E. Hill (b. 1952) agrees:

H.G.M. Williamson [b. 1947], almost humorously, has commented that the battle cry has been replaced by the Levitical chorale. The report of an army going into battle singing the praises of God is unique in the Bible, although music accompanies the appearance of the divine warrior when he executes judgment on the earth (Psalm 47, 96, 98). The event gives new meaning to the psalmist’s declaration that God’s “pleasure is not in the strength of the horse, not his delight in the legs of a man; the LORD delights in those who fear him, who put their hope in his unfailing love” (Psalm 147:10-11). (Hill, 1 and 2 Chronicles (The NIV Application Commentary), 491)

The nation of Judah praises God before victory has been secured. John C. Endres (b. 1946) remarks:

Levites arise to praise God with a very loud voice, which they are appointed to do, but here it seems premature, for the victory is still in the future. Jehoshaphat then rises and delivers a speech that sounds like a sermon. Believe God and you will be set firm (II Chronicles 20:20)...The Chronicler gives a theological commentary on this event: Jehoshaphat faces a test of faith, just as Ahaz faced a test of faith when Isaiah uttered the word to him. (Endres, First and Second Chronicles (New Collegeville Bible Commentary), 103)

Jehoshaphat passes the test. Victor P. Hamilton (b. 1941) favorably contrasts Jehoshaphat with his father, Asa:

When attacked by King Baasha of Israel, Asa goes the alliance route, and as a result is chided by a prophet (II Chronicles 16:7-8). Asa’s sad story is one of a shift from trust in God to trust in human power, and the tragic consequences that befall...The opposite of Asa’s latter strategy is that of Jehoshaphat when he is attacked by a military coalition (II Chronicles 20:1-30). The text records absolutely no military response by Jehoshaphat and his soldiers. Instead, they engage in liturgical acts like singing and praying, and Yahweh defeats the enemy (“As they began to sing and praise, the Lord set to ambush against the Ammonites...so that they were routed” [II Chronicles 20:22]). Philip R. Davies [b. 1945] (1992: 45) captures well the scene here: “If your cause is just and you are faithful to your deity (and if that deity is YHWH), you will not need an army to protect you. Spend your defense budget on hymnbooks and musical training for your brass band! The only army you need is the Salvation Army.” (Hamilton, Handbook on the Historical Books: Joshua, Judges, Ruth, Samuel, Kings, Chronicles, Ezra-Nehemiah, Esther , 492-93)

Jehoshaphat responds to the disastrous events with a sign of trust and his faith is rewarded. As the Lord had promised, Judah never even engages in battle. The tenuous alliance disbands as the opposition turns on one another (II Chronicles 20:22-25).

Andrew E. Hill (b. 1952) explains:

Whether God terrifies the coalition armies with the appearance of his heavenly army (as in II Samuel 5:24; II Kings 7:5-7) or sends a spirit of confusion and mistrust among the allies (as in Judges 7:22; II Kings 3:23) is unclear. What is clear is that God stirs the Transjordan armies into a spirit of frenzied self-destruction (II Chronicles 20:22-23). First, the armies of Moab and Ammon slaughter the soldiers from Seir, perhaps out of distrust (II Chronicles 20:23a). Then the Moabites and the Ammonites destroy each other so that no one escapes (II Chronicles 20:23b-24a). (Hill, 1 and 2 Chronicles (The NIV Application Commentary), 492)

Through some undisclosed mechanism God delivers Judah and the conflict is remembered as one of Jehoshaphat’s greatest triumphs.

Regardless of what had happened in the battle, in choosing to praise God, Jehosphapat has already scored a far more important victory: His faith has been demonstrated. What begins as an invasion story evolves into a classic story of faith.

Why does Jehoshaphat dismiss military strategy in favor of divine consultation? What leaders are you familiar with who have prayed publicly when facing a national crisis? What armies have gone into battle singing? Is there ever an inappropriate time to worship? Did the singing in any way trigger the discord between Judah’s adversaries? When have you not had to fight a seemingly inevitable battle? Do you truly believe that God is for you? When have you praised God before victory has been secured?

While most contemporary believers will not be surrounded by armies from multiple nations, Jehoshaphat sets a precedent. Worship is a proper response in the face of crisis and worshiping God can be done in the midst of catastrophe.

Neil T. Anderson (b. 1942) and Rich Miller (b. 1954) apply:

In response to the word of God, all the people worshiped God (II Chronicles 20:18). Worship became their battle plan to defeat the enemy. “And when he [Jehoshaphat] had consulted with the people, he appointed those who sang to the LORD and those who praised Him in holy attire, as they went out before the army and said, “Give thanks to the LORD, for His lovingkindness is everlasting.’ And when they began singing and praising, the LORD set ambushes against the sons of Ammon, Moab, and Mount Seir, who had come against Judah so they were routed” (II Chronicles 20:21-22)...Worship brings to our minds the awareness of God’s presence and fear flees! When the first hint of fear or anxiety comes into your mind, worship God. (Anderson and Miller, Freedom from Fear: Overcoming Worry and Anxiety, 274)

Worship reminds us that we are never alone. This is especially beneficial at times when we feel abandoned. Creflo A. Dollar (b. 1962) advises:

When you are faced with a life-and-death crisis, the most important thing you can remind yourself is that God’s mercy endures forever. It will stir your faith. It will move to tap in to the power of praise. (Dollar, In the Presence of God: Find Answers to the Challenges of Life)

Worship makes us keenly aware of God’s presence. Anthony De Mello (1931-1987) connects:

When we praise God for his goodness and for the good things he has given to us and to others, our hearts become lightsome and joyous...There are few forms of prayer so effective for giving you the sense that you are loved by God, or for lifting depressed spirits and overcoming temptation. Psalm 8 says, “You have established praise to destroy the enemy and avenger [Psalm 8:2],” and it was the custom among the Jews to march out into battle singing praises to the Lord. This was considered a mighty weapon for defeating the foe. (De Mello, Contact with God, 116)

Though often neglected, praising God is a useful tactic when facing trials.

How do you respond to adversity? Do you turn toward God or away from God? Do you blame or praise? How do you enter into battle?

“This is not the time to panic, this is the time to praise!” - Cynthia A. Patterson (b. 1964), It Had to Happen: Understanding that Everything You Go Through in Life is for God’s Purpose

Psalm 100, Worship 101

Complete: “Serve the Lord with gladness! Come into His presence ____________!” With singing

Situated in Book IV of the Psalter, Psalm 100 is one of the Bible’s most beloved hymns. The short composition is comprised of only five verses (Psalm 100:1-5). The psalm offers both an invitation (Psalm 100:1) and a reason to worship: God is worthy (Psalm 100:5).

The hymn, tailor made for a call to worship, is still in use. The standard hymn tune “Old 100th” is associated with this psalm due to a famous paraphrase by William Kethe (d. 1594) entitled “All People that on Earth do Dwell”. J. Clinton McCann, Jr. (b. 1951) calls this metrical version “the banner hymn of the Reformed tradition” (McCann, New Interpreter’s Bible: 1 & 2 Maccabees, Job, Psalms (Volume 4), 1079).

Beth LaNeel Tanner (b. 1959) lauds:

Psalm 100 is the best known psalm in the Christian church, especially in the form with words by Thomas Ken in the Doxology. While beautiful in its own way, the words of the song do not have the same powerful imagery of movement and praise as the psalm. (Tanner, The Psalms for Today, 83)

Psalm 100 is the first of a series of four psalms with a superscription and the only psalm whose heading identifies it with the word “thanksgiving”. It famously begins by echoing Psalm 98:4’s universal summons to all the earth.

Shout joyfully to the LORD, all the earth. (Psalm 100:1 NASB)

Unlike many psalms, there is no shift in mood. The hymn opens in jubilation and maintains its exultant tone throughout.

The short poem has two movements, featuring two calls to worship (Psalm 100:1-2, 4). John Eaton (b. 1927) explains:

As regards structure, the pattern is the same as that of Psalm 95:1-7: call to praise (Psalm 100:1-2) and reason (Psalm 100:3); further call to praise (Psalm 100:4) and reason (Psalm 100:5)...Our psalm will thus have belonged to the same context in the autumn festival as its immediate predecessors. (Eaton, Psalms: A Historical and Spiritual Commentary with an Introduction and New Translation (Continuum Biblical Studies), 349)

Herbert W. Bateman IV (b. 1955) and D. Brent Sandy (b. 1947) concur:

The psalmist begins with a call to universal praise (Psalm 100:1-2), reasoning that God’s power alone has created the covenant community (Psalm 100:3). Second, he calls his readers to praise again (Psalm 100:4), reasoning that God’s covenant faithfulness is unending (Psalm 100:5). (Bateman and Sandy, Interpreting the Psalms for Teaching & Preaching, 41)

Many have speculated that the song was originally used in a temple procession with some theorizing that the two calls to worship corresponded to two movements in the march. Samuel L. Terrien (1911-2002) posits:

The singing of praise and thanksgiving is to be intoned in the presence of the Lord, after the portals of the temple are opened. Presumably, the congregation is still marching up toward the sacred hill. (Terrien, The Psalms: Strophic Structure and Theological Commentary (Eerdmans Critical Commentary), 690)

Though short, the song is replete with instruction concerning the nature of worship. James Luther Mays (b. 1921) informs:

Psalm 100 is an introductory hymn in two ways, liturgical and theological. Its liturgical subject is the movement into the presence of God, the first and fundamental human act that constitutes worship. Its theological purpose is to incorporate into a hymn to accompany that movement that the first and fundamental characteristics of the worship of the LORD. Psalm 100 initiates worship and sets forth a theology of worship. (Mays, Psalms (Interpretation, a Bible Commentary for Teaching and Preaching), 317)

Beth LaNeel Tanner (b. 1959) consents:

The psalm is dominated by the seven imperative verbs that call the congregation to shout, serve, come before, know, enter, give thanks, and bless. There are movement and voice and expression and learning, demonstrating how one can praise God will all one’s might. (Tanner, The Psalms for Today, 83-84)

Psalm 100:2 instructs its audience to gladly serve/worship and to come into God’s presence in song.

Serve the LORD with gladness;
Come before Him with joyful singing. (Psalm 100:2 NASB)

The use of the Hebrew ‘abad is instructive. The word is translated as either “serve” (ASV, ESV, HCSB, KJV, NASB, NKJV, RSV) or “worship” (CEV, NIV, NLT, NRSV). It occurs only twice in the Psalter and it is fitting that it is embedded here, immediately following Psalms 93-99, a unit which proclaims God’s kingship.

J. Clinton McCann, Jr. (b. 1951) explains:

Because both “worship” and “serve” are appropriate translations of the Hebrew that begins Psalm 100:2, it is fitting that many Protestants ordinarily designate an occasion for worship as a “worship service.” Strictly speaking, the phrase may be redundant; but it has the advantage of communicating the reality that worship is essentially a public profession of submission to God and God’s purposes for our lives and the life of the world. (Carol M. Bechtel [b. 1959], Touching the Altar: The Old Testament for Christian Worship (Calvin Institute of Christian Worship Liturgical Studies), 166)

John Goldingay (b. 1942) concurs:

In English, talk about church services is a dead metaphor, and that is partly so when the Old Testament uses ‘ābad...Yet the verb does point to the fact that worshiping Yhwh involves a serious submission of the whole self. It involves the words of the mouth (Psalm 100:1a) and the feelings of the heart (“with joy”; it is a strange kind of servitude that is offered with joy). But it is not confined to words and feelings. The verb implies that worship is done for God’s sake and not for ours; servants serve their master; not themselves. And the fact that serving God mostly takes place outside worship also hints that there needs to be some coherence between what happens in worship and what happens outside. (Goldingay, Psalms (Baker Commentary on the Old Testament Wisdom and Psalms), 135)

Richard J. Foster (b. 1942) concludes, “As worship begins in holy expectancy, it ends in holy obedience. If worship does not propel us into greater obedience, it has not been worship (Foster, Celebration of Discipline: The Path to Spiritual Growth, 173).”

The song next advocates entering God’s presence with singing. The Message paraphrases Psalm 100:2b, “Sing yourselves into his presence”. Worship leader Bob Kauflin (b. 1955) affirms, “The psalmists model numerous ways we can express our affections toward God to magnify his greatness, all of which can be reflected in our songs (Kauflin, Worship Matters: Leading Others to Encounter the Greatness of God, 65).”

Robert Alter (b. 1935) specifies, “The Hebrew preposition...has the sense of “His presence.” The spatial reference is to the temple, where God’s presence is conceived to dwell, an idea that will be developed in Psalm 100:4 (Alter, The Book of Psalms: A Translation with Commentary, 348).”

Walter D. Zorn (b. 1943) adds:

This is the first use of the word for “come” (Psalm 100:2b) or “enter (Psalm 100:4a) – same word in Hebrew...The language is taken from how people were given an audience with human kings (cf. I Samuel 10:24; II Samuel 14:3, 15, 15:2; Esther 4:11-16, 8:1). (Zorn, Psalms Volume 2 (The College Press NIV Commentary: Old Testament Series), 237)

We are too approach God with at least the same reverence one would a human authority figure.

How do you approach God? Do you enter God’s presence with singing? Does your Sunday worship extend throughout the week? How should worship begin? What role does music play in worship? Is it a necessary component? With what attitude do you worship?

Artur Weiser (1893-1978) reminds:

The call to worship...in Psalm 100:2 is addressed to the congregation assembled in the Temple. It expresses the motive and the aim and at the same time the spirit of the ‘service’ rendered to God in worship, that is, enthusiastic joy in the presence of God. The note of a joy that is utterly devoted to God and leaves behind it every earthly sorrow that may burn the heart is not only reflected in the opening verses but resounds through the whole psalm. (Weiser, The Psalms: A Commentary (The Old Testament Library), 646)

Hans-Joachim Kraus (1918-2000) adds:

The worship of God at the festival began with the call, “Serve the Lord with gladness! Come into his presence with singing!” (Psalm 100:2). Thus worship in Israel was characterized by joy. To serve God means in cultic terms to come before his face, to praise him, laud him, and honor him. (Kraus, Theology of the Psalms (Continental Commentaries), 91)

Rick Warren (b. 1954) advises:

Because God wants our worship to be a celebration, we cultivate an atmosphere of gladness and joy. Too many church services resemble a funeral more than a festival...Worship is a delight, not a duty. (Warren, The Purpose Driven Church: Growth Without Compromising Your Message & Mission, 271)

What can you glean about worship from Psalm 100? Do you worship God joyfully? Do you joyfully serve the Lord?

“The most valuable thing the Psalms do for me is to express the same delight in God which made David dance.” - C.S. Lewis (1898-1963), Reflections on the Psalms, p. 45